Every legacy starts as a first take.
We sign people early. Often before there's a finished record, sometimes before there's a finished song. If the demo already has the thing in it, the mistakes can stay in too.
After that it gets unglamorous fast. Booking rooms, covering the mix, chasing a plant that's quoted you fourteen weeks for vinyl, filing the publishing paperwork so royalties still find you in 2041. Nobody puts that part on a poster. It's also what decides whether a record is still earning anything a decade from now.
You decide on a legacy at the start, in the paperwork, back when nobody is listening yet.
Five slots this cycle. We are filling them slowly and on purpose, because a roster is the only thing a label really is.